Wednesday, 7 August 1996

Super Furry Animals give away their single

On 7 August 1996, something quietly historic unfolded in the small Carmarthenshire village of Cross Hands. In a modest venue—the Gwernllwyn Club—Welsh psych-pop trailblazers Super Furry Animals handed out a gift to those lucky enough to attend: a free, exclusive 7″ vinyl single titled “(Nid) Hon Yw’r Gân Sy’n Mynd I Achub Yr Iaith.” Translated, the title means “(This Is Not) The Song That Will Save the Language.”

It was never intended as a commercial release. Only 500 copies were ever pressed, and they were given away—no fanfare, no press circus, just a one-night-only gesture to fans who had followed the band to the heart of rural Wales. And yet, almost three decades on, this short and sharp blast of Welsh-language punk has become one of the band’s most prized rarities. A collector’s gem. A cultural curio. A time capsule of 90s Wales.

What makes this moment so special isn’t just its scarcity, but what it represents. Super Furry Animals had already begun carving out a space for themselves in British music with their debut album Fuzzy Logic. But where many acts from Wales rode the Cool Cymru wave in English, the Furries doubled down on their heritage. They weren’t afraid to be weird, wild, and wonderfully Welsh.

The song’s title itself is disarmingly honest, even self-effacing. In a period of Welsh cultural revival, when language politics were bubbling up through art, activism, and identity, the band sidestepped grandiosity. This wasn’t the song to save the Welsh language—it probably wouldn’t change anything. But it mattered anyway. It was a middle finger to linguistic fatalism, wrapped in fuzzed-out riffs and howled slogans. A defiant little anthem that told you everything about the band’s ethos.

If “If You Don’t Want Me to Destroy You” was the smooth-talking single released to the masses later that year, then “(Nid) Hon…” was its scrappy, homegrown cousin—raw, regional, and real. It’s fitting that it was only heard (and held) by a few hundred people in a working men’s club in Dyfed.

And maybe that’s the point. Some songs are meant for stadiums, others for streaming. But once in a while, a song finds its home in a room filled with shared air and shared heritage. For one night in 1996, Super Furry Animals didn’t try to save the Welsh language—they just celebrated it. Loudly. Joyfully. On their own terms.

And for those who still have that 7″ tucked away on a shelf, it’s more than a record. It’s a reminder that some of the most revolutionary moments in music don’t happen in the spotlight—they happen at the fringes, in places like Cross Hands, carried by those who were lucky enough to be there.

Monday, 5 August 1996

ECTOGRAM release I Can’t Believe It’s Not Reggae


(The actual release date is a bit sketchy - I have it as today, other sources state 1st July - but I'm always right, so the rest of you can all fuck off)

It had to happen. Having wowed us so spectacularly with Super Furry Animals, Gorky’s Zygotic Mynci and their overhauling of glam and prog, it was never going to be long before top Welsh imprint Ankst uncovered yet more native talent, and accordingly, selected another unsuspecting age-old genre they could unleash it on.

This week: Krautrock. Sort of. Your hosts are the crazed dudes of Ectogram; who don’t so much carefully subvert Germanic noodlings as break into their local school’s music department and run riot with them for ages. And then a bit longer.
This is a colossal tinkle-fest of a debut, which starts out with the rumble of a vacuum cleaner and erupts into a series of open-ended improv jams – including prog-rock monastery chants (“This Is How It Is”), a befuddling bilingual tribute to Syd Barrett (“Syd – who’s a bit of a spiritual forefather here) and numerous other instinctively fused organic grooves.
Things – though they’re not exactly great – are at least unfamiliar. Wrer you to suggest they were a bit like Mercury Rev as folk-obsessives with a mystic Celtic grandma on vocals, you’d be fairly close. But what Ectogram are up to is continuing a tradition of resourceful and somewhat odd Welsh music; the “in” sound from way, way out… through a valley, up several large hills and into a strange spiritual spot only normally inhabited by a goat, three druids and Julian Cope.
Definately not reggae. (6)
(N.M.E., 20.07.96)

ANKST 069