Showing posts with label Album Review. Show all posts
Showing posts with label Album Review. Show all posts

Saturday, 1 November 2025

Various Artists - Weedian; A Trip To Wales

If there’s one thing you can count on from the mysterious curators behind Weedian, it’s a love of riffs — big, warm, fuzz-drenched riffs that roll like thunder across the landscape. Over the past few years, the collective has mapped the globe through their sprawling Trip to… compilations, unearthing hidden gems from Greece to Poland, Italy to England. Now, with A Trip to Wales, Weedian turns its heavy gaze westward — to our mountains, coasts, and post-industrial valleys that have long reverberated with distortion and defiance.

Clocking in at 35 tracks, A Trip to Wales is nothing short of a love letter to the Welsh heavy underground. From the swirling psychedelia of Wrexham's Mammoth Weed Wizard Bastard to the molten groove of Sigiriya, from Dope Smoker’s monolithic fuzz to the punk-doom hybrid chaos of Made of Teeth, this compilation doesn’t just showcase a scene — it charts a geography of sound.

The tagline on Bandcamp puts it perfectly: “Where the riffs roll like the hills and the amps sound like thunder on the coast.” It’s a fitting description for a record that feels carved from the same granite that defines Snowdonia.

Each band contributed a track with full blessing — some new, some deep cuts — creating an anthology that feels both curated and communal. It’s a snapshot of Welsh heaviness in 2025, but also a reminder that the country has been nurturing this energy for decades.

As a country, we have long punched above our weight in the world of heavy music. From the early days of Taint and Acrimony, through the experimental metal of Hark, to the cosmic sprawl of newer outfits like Goat Major, Warklockhunt and Estuary Blacks, the Welsh scene has always blended noisy sludge with grandeur.

A Trip to Wales stitches those threads together, offering both history and prophecy. You’ll find legendary names alongside underground up-and-comers, often on the same sonic wavelength — proving that the fire that once burned in the bars and rehearsal rooms of Swansea, Cardiff, and Wrexham still rages on.

For those unfamiliar, Weedian isn’t a label in the traditional sense — it’s more like a curatorial collective and celebration of heavy culture. Each Trip to… release serves as a sonic travelogue, guiding listeners through the underground of a particular region. Previous entries like Trip to Greece, Trip to England, and Trip to Poland II gathered over a hundred tracks apiece.

This time, Wales gets its own dedicated volume — a tighter, leaner, but no less potent compilation that feels distinctly personal. The artwork, by illustrator Silvester Wisnu, captures that mix of mysticism and magnitude: a land where ancient myth meets modern amplifier worship.

There's a sense of connection running through the whole compilation. There’s no hierarchy here, no big-label gatekeeping — just a shared devotion to the almighty riff, whether it’s delivered from a bedroom in Bangor or a studio in the South Wales valleys.

For longtime followers of the Welsh scene, this compilation feels like validation. For newcomers, it’s a revelation — a reminder that while the world’s attention might flicker elsewhere, the spirit of Welsh underground music remains defiantly alive.

Thursday, 7 August 2025

New Album - Scotch Funeral - Ever & Ever

 


From the garage punk heartlands of Caerhun - Scotch Funeral release the album 'Ever & Ever' - and it's a belter.
Check out my review on Louder Than War

Thursday, 3 August 2023

NEW ALBUM – Scotch Funeral – Abysmal Nostalgia



Now a decade into unleashing his music Scotch Funeral has put together a new album of songs, from the past, about the past.

They were written and recorded between 2012-2018 and mastered by Ben Dempsy Sawin (of Mowbird & Eitha Da fame).
There’s a unique, yet authentic feel about Scotch Funeral’s songs, and they’re definitely a contagion. You find yourself drawn in by the sound, the style and the simplicity.
Highly recommended…

Out now on CD and download

Friday, 23 August 2019

Rabo De Toro – Rabo De Toro - album

 

Today, Bangor’s own Rabo De Toro crash onto the scene with their self-titled debut album, released through Link2Wales Records. It’s a record that doesn’t so much introduce itself as kick the door down, light a fire in the corner, and dare you not to join in.

Opening track Fake News Knobheads sets the mood from the very first riff — sharp, snarling, and full of scathing wit. What follows is ten tracks of raw, unfiltered energy: Bound By Woodbines, Fast Fake Pisstake, Hello Stupidity, Circus Atari, and more, each one bristling with humour, venom, and a healthy disregard for the rules.

Yes, it’s punk — but not punk as you know it. There are shades of Sleaford Mods in the sneering vocals, flashes of Bad Brains in the frenetic pace, and hints of Gogol Bordello’s ragged chaos. Just when you think you’ve got the measure of it, the band flips the table with a grotesque, brilliant cover of Russ Abbott’s Atmosphere — the novelty disco hit reborn as something darker, funnier, and far more dangerous.

What makes Rabo De Toro so compelling is the balance of anger and absurdity. The riffs are jagged, the lyrics bite hard, but there’s always a wink behind the sneer. It’s an album that can make you laugh, rile you up, and maybe even inspire you to smash your local government office windows — before planting flowers in the rubble.

As debuts go, this one doesn’t just land — it detonates. With Rabo De Toro, the Bangor mischief-makers have released a record that’s brash, fearless, and impossible to ignore. If this is day one, the future promises to be loud, chaotic, and a hell of a lot of fun.

Thursday, 6 June 2013

ALBUM REVIEW – Teenage Mafia – Pseudo-Masochism



In the sanitised mainstream music scene we all live in, where every band the NME shovels your way has been through the bleaching process to ensure they’re ‘genuinely nice guys’ and their record label / publisher / plugger is paying the magazine and BBC plenty of cash to get coverage, it’s heartwarming to know there’s still an element of real danger out there.

Of course the NME wouldn’t dare get near Teenage Mafia for fear of being killed, maimed, or (more likely) have large objects rammed up their arses. If Teenage Mafia suddenly became backed by some media mogul or some label splashing the cash, then the NME wouldn’t dare slag them off for fear of losing the one thing they care about – ADVERTISING REVENUE – it’s a sorry shadow of itself these days that rag. Yes, we used to hate it years ago, but it was for exactly the opposite reason; because they slagged off shit to high heaven! The hacks / journos / critics / wankers were hated by the readers (and yet loved all the same) as they’d rip a band to pieces, particularly any band they’d built up themselves that had made it big. Today, their journalism is governed by advertising – they’d dare not slag off Alan McGee’s new label even if it is shit, for fear of losing out on the potential revenue. They review X-Factor wank because the Cowell pays big dollars, it’s all about the Money Honey and fuck all about the Art. It’s just like local shite radio stations like Heart FM, they’d never sanction an ‘alternative’ music show because Andy’s Fucking Tyres of Prestatyn is highly unlikely to want his products and service associated with Nine Inch Nails [there’s a pun in there..!!].

Pseudo-Masochism is basically Damir Bojanic, that axe-wielding homicidal maniac from Klaus Kinski, which is no longer a band but a stable full of 5-legged retard horse-humans that piss on each other. There’s so much output from their association that it’s hard to keep up (Irma Vep, Sex Hands, Pussycat Dolls, Dog Legs).
‘It’s more punk orientated these days,’ claims Damir, and on hearing the opening track Holy Landfill, you’d quite possibly agree, but he’s talking bollocks, as there on this goes beyond punk and slips into that Klaus cesspit of orgy-doom, where they have sex with household objects and snort chicken bones. There’s 21 tracks on this masterpiece of shit and only 5 of them are over two minutes long. You get random acts of violence with Octodad, Satan is Vegan. You get neo-fascist jazz with I’m Friends With Dick Laurent and you do get a blast of excellent pure punk rock with (Verb) Your Own (Expletive) (Noun).

The background to the album is as Damir explains, ‘I basically get dreams telling me what to do and this specific dream was a horse showing me my next album and it was called Teenage Mafia and had me screaming and playing drums which is something I can’t do. So I went in and recorded 20 drum tracks without really playing drums before and then did all the guitars the same day vocals the next day. I suppose it’s my subconscious telling me I can do it? I dunno. All in all I think it was done in under 56 hours.’

If you like your music fucking mental, deranged, over the top, immediate, beserk, twisted, irrational, demented, frantic, unhinged and ABSOLUTELY ESSENTIAL, then Pseudo-Masochism by Teenage Mafia is the album for you…
If you don’t like your music like that then buy the NME, listen to Coldplay and get the fuck off my website.

Monday, 30 July 2012

ALBUM REVIEW - Holy Coves – Peruvian Mistake

 



Holy Coves – Peruvian Mistake
 

★★★☆☆½

Peruvian Mistake, the debut LP from Holyhead’s Holy Coves, is a confident blend of Britpop swagger, psych-tinged atmosphere, and emotionally charged indie rock. Frontman Scott Marsden leads the charge with cool vocals and a knack for crafting driving, melodic hooks.

From the opening stomp of Let’s Go to the swirling melancholy of Droner—a standout track of supreme quality—the album balances anthemic ambition with raw edge. There are definite nods to Oasis and Kasabian, but Holy Coves carve out their own space with introspective lyrics and consistently strong songwriting.

Peruvian Mistake was recently hailed by Louder Than War as having the strength of a “greatest hits” collection, and yeah, I wholly agree. It's an album packed with riffs, emotional weight, and the restless energy of a band ready to break out.


Monday, 20 June 2011

NEW ALBUM - Houdini Dax - You Belong To Dax Darling

 



Houdini Dax – You Belong to Dax Darling 

★★★★☆

This is their debut album - You Belong to Dax Darling, Cardiff trio Houdini Dax channel classic British pop through a modern indie lens, delivering a record bursting with energy, charm, and retro flair. Echoes of The Beatles and Supergrass ring out across fuzzy guitars, catchy hooks, and off-kilter melodies that never take themselves too seriously.

From the vibrant stomp of Robin You Lie to the whimsical bounce of Fizzy Moon, the band mix psychedelic playfulness with sharp songwriting. Their youthful confidence is matched by tight musicianship, making for a debut that feels both nostalgic and fresh.

While a few tracks veer more into mood than memorability, the album’s infectious spirit and creativity carry it through. You Belong to Dax Darling is a fizzing, feel-good ride from one of Wales’ most promising indie outfits.


Saturday, 2 August 2008

ALBUM REVIEW - Genod Droog – Ni Oedd Y Genod Droog


Tremadog hip-hop band Genod Droog, release their debut album ‘Ni Oedd y Genod Droog’ courtesy of Conwy label Slacyr on 2nd August 2008.

Now, I had long dismissed Welsh hip-hop as a bit of a joke, as much as I tried, I simply could not get my head round the band Pep Le Pew, in my (fake) 2001AD eyes they were laughable, I simply did not understand my ignorance… Pep Le Pew did all the usual Welsh TV, Radio and gig circuit, gaining plaudits along the way until eventually morphing into Genod Droog.

Lo and behold ‘Ni Oedd Y Genod Droog’ hit the streets in 2008 after the outfit spent two years working on it at Blaen-y-Cae; a recording studio situated among the Welsh pyramids and magic mushroom farms of Garndolbenmaen.

Genod Droog, loosely translated means Bad Girls, with a play on the Welsh word ‘drwg’ – meaning ‘bad’ and pronounced droog. This was inspired by the unruly gang of ‘droogs’ in Stanley Kubrick’s infamous 1971 film, A Clockwork Orange, which in turn was based on Anthony Burgess’s dark novel of the same name published in 1962. The Super Furry Animals also referred to the name on their ‘Moog Droog’ EP (Ankst, 1995), which is a play on the Welsh slang for smoking weed (mwg drwg = bad smoke).

As a result of Genod Droog’s energetic performances, their fresh sound and their fun attitude the group became an instant success. In October 2006 they played at The Barfly in Camden, as part of the BBC Electric Proms; and in July 2007 they were the main band at Sesiwn Fawr festival in Dolgellau. The inevitable crowning of their achievements came at the BBC Radio Cymru Rock and Pop Awards in 2007 – Best Live Band and Radio Cymru listeners’ Most Popular Group – and they made regular appearances on S4C’s rock programme, Bandit, during the period.



With ‘Ni Oedd y Genod Droog’ out in the public domain, this mix of melodies, rap and uplifting anthemic dance music was contagiously catchy, and I rate it as one of the finest Welsh language releases ever! The unpredictable nature of their theatrical live shows added excitement, and they managed to create such an impression in a short period of time.

The NME wrote: “If they’re to overcome the maelstrom of hype they’ve generated from the word go, they’re going to have to subvert a few preconceptions… Well, breathe easy…it’s as bold, brilliant and bonkers a pop debut as you’re likely to hear”.

As is with many bands after releasing their debut album, all the effort, the hype and energy expended seemed to take it out of them. Within months of its release Genod Droog announced their disbandment after performing at the Noise Festival, Cardiff. They stated they had come to the end of their journey, feeling that there was no more to achieve as a Welsh-medium group.

Former Kentucky AFC drummer, Gethin Evans went on to play with Yucatan. Vocalist / rapper, Ed Holden soon became world renowned beat-box artist Mr Phormula and Dyl Mei went in the direction of broadcasting and producing for Radio Cymru.

Tuesday, 1 June 2004

Various Artists - The North South Divine


"The North South Divine" was a compilation album released by FF Vinyl (although not on vinyl, only CD) and served as a sonic battleground and a bridge, capturing the energetic diversity of the UK's underground music at the time of its 2004 release. True to its title, the compilation aimed to highlight a musical and cultural dialogue, showcasing bands that were often divided by the media's focus on London-centric scenes versus the potent output from north of the Watford Gap.

With 12 tracks, this collection is genre-fluid journey, blending the raw post-punk edge and earnest indie-pop hooks characteristic of the era. These are not the chart-toppers, but the hard-working acts generating genuine buzz on the club and festival circuit. It functions today as an authentic time capsule, a valuable document that illustrates the geographic spread and stylistic depth of British alternative music before the internet fully flattened local music economies. For anyone interested in the bands that were on the cusp of breaking through in the mid-2000s, The North South Divine is an essential, if rare, listen.

There's no online copy available so I've linked some of the tracks I've found on YouTube.

TrackArtistSong TitleLength
1Kentucky AFC"Outlaw"3:32
2JT Mouse"Numb"2:06
3The Afternoons"That Summer, That Sky"3:37
4The Crimea"White Russian Galaxy"3:19
5Gabrielle 25"Tearing Away"3:05
6The Peakz"Conwy Valley Love Song"3:24
7Camera"I'm Not Ready (Demo)"3:24
8Texas Radio Band"Chwareon"3:56
9FILLMORE"Acrobat"3:15
10Science"Oh, I Hide It Well"3:15
11The International Karate Plus"Nexus In A Chain Of Thought"3:24
12Sweet Baboo"Do Do D Do Charlene"2:47