Saturday, 1 August 2015

GIG REVIEW - Extreme Noise Terror in Newport and Birmingham


(by mark watson-jones)
Extreme Noise Terror, Black Skies Burn, Human Cull, Atomck @ Le Pub, Newport – 31/7/15
As me and Ell were reminiscing, we’ve always been about the road-trips for a bit of crust punk mayhem so what better way to spend a sultry summer weekend than in some seedy sweaty venues around the country. To be fair I was cajoled into it last minute but resistance is futile so after disposing of his mum and gaining a Ste in Stroud we paid into sunny South Wales and found Le Pub.

Maybe not as exotic as it sounds but straight off on this first visit I was impressed with the set up and atmosphere, it seemed to have a good independent vibe maybe taking up some of the slack since the loss of TJ’s, even if the stairways around the venue seemed to have been designed by Escher.
The action is go with Atomck, who may be from Swansea with some other ingredients but it was the first time I’d seen them despite being familiar with their name for some time from compilations etc. Three piece no bass grindcore, full of energy with a wandering vocalist ranging between shrieks and growls. Occasional, brief doomier breaks interspersing the blistering speed, driven along by a hard hitting machine of a drummer.


Another bonus for me personally next with Human Cull up from Exeter. My last attempt to see them had ended in my temporary death by rum while in the Czech Republic so was chuffed to catch them here while still able to see/hear. And great stuff, as expected given I’m often listening to their recent “Stillborn Nation” album, a harsh and punchy mix of distorted heavy grind with more punk aggression.

Black Skies Burn I only recall when they are onstage and I recognise guitarist Chris of great gurns, that I had seen them before at a Yorkshire Riffer all-dayer up in Leeds. Here I found it an even better performance of really tight and intense metal that mixed a whole lot of different styles, all heavy, into their short blasts of songs, some 15 in their half hour or so. Great amusement from the titles and banter too, fair play to them for landing the main support for the three gigs this weekend.

So to the headliner and as ever the uncertainty over what version of the band we are going to experience. ENT is Dean and Dean is ENT, as the legendary growler is the only original member, backed with the consummate professionals Desecration on instruments and with yet another new second vocalist, about the 4th since the loss of his old partner in crime Phil. Now it’s Ben, ex of The Rotted, and he’s got enough experience and balls to carry this off no worries, it’s an onslaught of howling, feral, chaotic hardcore that they are legendary for.
Our main man may be a bit confused as to where he is but Ben carries a lot of the banter, and they are certainly grateful for the response they receive. Personally I find a couple of the old tracks butchered into indecipherability but as they live around the country and this first gig is their first practice maybe that can be excused, when it does click together it’s devastating and enjoyable. We get a Raw Noise cover thrown in and are also treated to a new song from a forthcoming album, due to explode on November the 5th, easy to remember. They finish again with a cover of “Borstal Breakout” as they have been in recent years but this remains a weaker song to me. Still, great fun all round, let’s do this again sometime.

Extreme Noise Terror, Black Skies Burn, Gets Worse, Fetus Christ @ Asylum 2, Birmingham – 1/8/15
How about tomorrow? After a day of refreshments in Stroud we are transported up to Brum and more industrial grimness that the Asylum is a little oasis in /fits right into. The smaller upstairs part tonight, the only time I’d been here before was a few tears back on another roadtrip (via ENT in Bristol) for a Napalm Death album launch in the main room, strange how life repeats itself. Opener tonight is Fetus Christ over from Hereford, who had been recommended to me last night but I find the overall volume quite lacking which robs a bit of their thunder from their mix of power violence and doom laden grind, shame.

I worry the same for Leeds’ Gets Worse next, but things pick up well and they give one of their best sets I’ve seen so far, everything seems to hit the spot as they batter through their stop-start fast-slow anthems of hardcore fury, great stuff.

Black Skies Burn prove consistently good, the jokes remain funny and tunes battering. And the final battering is served up in the pit for the headliners, with probably a better performance (despite the drunken Ben that I might have contributed too) showing that last nights practice paid off! We even persuade them to do an encore and get another new song, these are sounding really solid and bodes well for the (semi-!) focused group in the future. They do exactly what it says on the tin.

We return via Cider Houses on the Sunday, with suntans and scars, these summer holidays are great!

Friday, 31 July 2015

Gintis play Sound, Liverpool

Gintis - the hard working band of Abergele, now of Liverpool - step out to play their first gig of 2015 (!)
I went with Steve Sync and Tim and met Tom Carroll there, and had many many beers.

The Loungs played too - but I was very drunk by then... we got the train home (apparently)






Saturday, 23 August 2014

Saturday, 29 March 2014

The Cardiff Zine Fair



The Cardiff Zine Fair held on Saturday, March 29, 2014, served as a landmark gathering for the city's self-publishing and radical communities. Hosted at the artist-led gallery g39 in Roath, the event was organized as part of the broader "It’s the Engels of the world as we know it (and we feel fine)" series, which combined an artist book fair with radical political outreach. 
The fair acted as a vital intersection for Cardiff's contemporary activist scene and its deep-rooted punk heritage, featuring a diverse array of stalls that ranged from beautifully crafted artist books to raw, photocopied political pamphlets. 
Many of the zines presented, such as the bilingual anarcha-feminist publication ffwff, focused on pressing social issues of the time, including opposition to the "Bedroom Tax" and anti-capitalist theory. The industrial atmosphere of the g39 warehouse provided a larger platform than the cafĂ©-based fairs of previous years, allowing for workshops and discussions that reinforced the DIY ethos of mutual aid and creative resistance. 
This 2014 edition is often cited as a pivotal moment that solidified the local zine community, bridging the gap between the experimental art school crowds and the grassroots anarchist organizers who had been active at spaces like the Red & Black Umbrella.

For more on the South Wales scene go to https://link2wales.co.uk/

Saturday, 27 July 2013

FESTIVAL REVIEW – Gwyll Gardd Goll @ Plas Newydd, Llanfair PG



This year's installment of the wonderful Gwyl Gardd Goll festival with artists such as British Sea Power, Sue Denim, Georgia Ruth, We Are Animal, Radio Rhydd, Bill Ryder-Jones and many more
See links for reviews and great pics

Saturday

Sunday

Thursday, 6 June 2013

ALBUM REVIEW – Teenage Mafia – Pseudo-Masochism



In the sanitised mainstream music scene we all live in, where every band the NME shovels your way has been through the bleaching process to ensure they’re ‘genuinely nice guys’ and their record label / publisher / plugger is paying the magazine and BBC plenty of cash to get coverage, it’s heartwarming to know there’s still an element of real danger out there.

Of course the NME wouldn’t dare get near Teenage Mafia for fear of being killed, maimed, or (more likely) have large objects rammed up their arses. If Teenage Mafia suddenly became backed by some media mogul or some label splashing the cash, then the NME wouldn’t dare slag them off for fear of losing the one thing they care about – ADVERTISING REVENUE – it’s a sorry shadow of itself these days that rag. Yes, we used to hate it years ago, but it was for exactly the opposite reason; because they slagged off shit to high heaven! The hacks / journos / critics / wankers were hated by the readers (and yet loved all the same) as they’d rip a band to pieces, particularly any band they’d built up themselves that had made it big. Today, their journalism is governed by advertising – they’d dare not slag off Alan McGee’s new label even if it is shit, for fear of losing out on the potential revenue. They review X-Factor wank because the Cowell pays big dollars, it’s all about the Money Honey and fuck all about the Art. It’s just like local shite radio stations like Heart FM, they’d never sanction an ‘alternative’ music show because Andy’s Fucking Tyres of Prestatyn is highly unlikely to want his products and service associated with Nine Inch Nails [there’s a pun in there..!!].

Pseudo-Masochism is basically Damir Bojanic, that axe-wielding homicidal maniac from Klaus Kinski, which is no longer a band but a stable full of 5-legged retard horse-humans that piss on each other. There’s so much output from their association that it’s hard to keep up (Irma Vep, Sex Hands, Pussycat Dolls, Dog Legs).
‘It’s more punk orientated these days,’ claims Damir, and on hearing the opening track Holy Landfill, you’d quite possibly agree, but he’s talking bollocks, as there on this goes beyond punk and slips into that Klaus cesspit of orgy-doom, where they have sex with household objects and snort chicken bones. There’s 21 tracks on this masterpiece of shit and only 5 of them are over two minutes long. You get random acts of violence with Octodad, Satan is Vegan. You get neo-fascist jazz with I’m Friends With Dick Laurent and you do get a blast of excellent pure punk rock with (Verb) Your Own (Expletive) (Noun).

The background to the album is as Damir explains, ‘I basically get dreams telling me what to do and this specific dream was a horse showing me my next album and it was called Teenage Mafia and had me screaming and playing drums which is something I can’t do. So I went in and recorded 20 drum tracks without really playing drums before and then did all the guitars the same day vocals the next day. I suppose it’s my subconscious telling me I can do it? I dunno. All in all I think it was done in under 56 hours.’

If you like your music fucking mental, deranged, over the top, immediate, beserk, twisted, irrational, demented, frantic, unhinged and ABSOLUTELY ESSENTIAL, then Pseudo-Masochism by Teenage Mafia is the album for you…
If you don’t like your music like that then buy the NME, listen to Coldplay and get the fuck off my website.

Saturday, 26 January 2013

4080 Peru is aired in Bangor

The film - 4080 Peru – is aired in Bangor featuring a soundtrack composed by Mank.

4080 Peru is an experimental multimedia project created by James Ray, the industrial-rock pioneer known for his work with The Sisters of Mercy and James Ray’s Gangwar. Far from a traditional cinematic release, the project is an avant-garde soundtrack film designed to be an immersive, sensory-heavy experience rather than a narrative story. Ray famously envisioned the work as the "soundtrack to the best horror movie you’ve never seen," creating a haunting, atmospheric loop that clocks in at approximately 52 minutes. The film serves as a visual canvas for a dense "wall of sound," utilizing black-and-white, dreamlike imagery that leans heavily into dark ambient and industrial aesthetics. It features surreal motifs, most notably slow-motion footage of koi carp, ethereal ghost-like figures, and abstract nature scenes intended to evoke a sense of dread and mystery.

The musical score for the project marks a significant departure from Ray’s typical hard-edged rock roots, favouring drone-heavy, trancelike compositions built from deep electronic soundscapes and layered samples. 4080 Peru first gained notoriety through live performances in the mid-2000s, specifically at The Garage in London in February 2005, where Ray performed the music live against a massive projection to create an overwhelming auditory and physical environment. The project resurfaced years later at the Industrial #18 Festival in Cannes in 2014 and through collaborations with the 25men collective (which where Mank came in). While a physical DVD titled Empty Hearts Break was produced in limited quantities featuring the film with multiple audio tracks, it remains an extremely rare collector's item. Today, the work survives as a cult piece of underground history, with fragments and visual loops occasionally appearing on Ray's official digital channels or fan-run archives.

All things Mank on link2wales